While this doesn’t give a perfect result all the time-detailed backgrounds or shots with lots of movement cause problems-it’s surprisingly powerful in a lot of cases. You draw a mask around the object you want removed, then Resolve analyzes the video and replaces the object with a suitable background. We’ve all left a camera bag in a shot at some point, but the color page’s new object removal tool is designed to fix such errors. Though results aren’t always perfect, this is an effective and efficient feature that can improve the quality of shots affected by camera wobble.

You can apply these to any clip in your timeline without having to set up complicated tracking points, as you had to in previous versions of the software. The edit page now has automatic stabilization tools built into every clip. A very useful addition, adjustment clips speed up the process as you can adjust multiple clips simultaneously and enable non-destructive editing-as you don’t have to touch the main edit underneath when working with them you can easily backtrack on your work.Īdjustment clips can be used to apply effects to a whole scene (Image credit: Black Magic) They’re similar to Adobe Premiere Pro’s adjustment layers but can be moved around the timeline like any other clips, which gives extra flexibility.

When you apply effects such as color grading to an adjustment clip, the effects apply to all clips below it on the timeline. Rather than copying effects from clip to clip, you can now add adjustment clips. These interfaces all have new features in DaVinci Resolve 16. Each of these functions has its own workspace and range of useful features, so Resolve is effectively four excellent post-production programs in one.

Resolve includes all-in-one post-production, with nonlinear editing, color correction, audio post, and visual effects streamlined into one application. DaVinci Resolve is available with free and premium options (Image credit: Blackmagic Design) DaVinci Resolve 16 review: Features

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